Был(а) в сети 1 год назад
Tsunayoshi Akira
NSFW OC MEME
4/5
The show creates a contrast of emotion inside me when I think of it. The story was quick and enjoyable but at the same time very rushed with little context given. Characters seemed to be intriguing at the beginning to later turn into caricatures of themselves. Dynamics between Ryo and Akira were profound but also superficial with no sustenance. Artwork is sloppy and lazy but also intriguing and powerful.
Overall I feel like the story was quite sloppy. I've enjoyed the first couple of episodes with great pleasure, slowly getting more and more confused and lost when the story progressed towards the end. The ending itself got me overwhelmed. What pulled the story for me to a solid 4 was Ryo Asuka himself. The art style of Ryo is amazing, it is easy to fall in love with his angelic light appearance and his diabolic dark character, making the fall even harder once you realize that he is literally an angel and a demon. He is Lucifer himself. A fallen angel that lost everything to humans. Yet here he is, falling in love with a human boy, realizing his affection only once literally everything around him has been destroyed, including Akira himself, as only half of his body remains by Ryo's side. The love that Ryo felt for Akira is subtle, since Lucifer was not made to have feelings for anybody. Once everything has literally when to shits, only then we see the emotional side of Ryo and his desperate desire to be with Akira.
Akira himself is half a character. Literally (at the very end) and metaphorically. He is empty, just another typical good character that bounds on the journey to save the world with the purest of intentions while also screwing everything on his way. Empty, uninteresting, even irritating to death. His feelings for Miki felt empty and bland, his desire to save humanity was distasteful, and yet again he was saved by his appearance once he merged with a demon.
Something that I wish was discussed more in depth is feeling that Miko had for Miki. Jealousy ate her throughout the story, she lost her own identity to the other girl. But with the story's progression, the feelings that she had for Miki became more and more evident. She was ready to fight for her until her last breath with the last wish that one day they would be able to just run together again: free and happy. Miko felt more real than Akira ever did.
Overall, the show was a fresh change of aesthetics and narrative. It could have been extended a little to discuss in depth the feelings and emotion of the characters, the progression of their growth. I wish Ryo to achieve his happiness but his destiny has an ugly side; he is destined to destroy the world for Akira again and again as he is not familiar with human sympathy and Akira will always fight on the side of the humans, unable to sacrifice his own humanity for Ryo.
ЬУМЬУМ
номер 13 и 21 - поздравляю
и жду в лс с:
омг ето што я....
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`State and Revolution
By Vladimir Lenin
`Fatherland
By Robert Harris
Fatherland is a 1992 alternative history detective novel by English writer and journalist Robert Harris. Set in a universe in which Nazi Germany won World War II, the story's protagonist is an officer of the Kripo, the criminal police, who is investigating the murder of a Nazi government official who participated at the Wannsee Conference. A plot is thus discovered to eliminate all of those who attended the conference to help improve German relations with the United States.
The novel inverts some of the conventions of the detective novel. It begins with a murder and diligent police detective investigating and eventually solving it. However, since the murderer is highly placed in a tyrannical regime, solving the mystery does not result in the detective pursuing and arresting the murderer. The contrary occurs in the novel: the murderer pursuing and arresting the detective.